In the studio I manipulate space by playing with shapes, while working to add drama into the subject. I do this by dividing the painting surface in to square or circular shapes. Much of the time the end result is abstract with a resemblance of a realistic subject. I find this method challenging and exciting, and that painting structures such as churches, water towers and bridges works well with this method. The emphasis of my art work has, for some time, been and breaking of the picture plane with circles and squares. At the time when I was studying for a degree in design, the “flat canvas”- meaning shapes instead of form, and shallow space as apposed to aerial perspective, was being practiced. That influence has become prominent in my current work. My usual method is to start with very wet Archers 140# watercolor paper (or heavier) on which I add color maintaining a pattern of lights and darks. The second of four steps is to superimpose a drawing chosen, to fit the mood of the colored piece of paper, on to it. In the third step the picture plane is broken into squares by covering all but one square at a time and painting that the exposed area, using the value sketch as a guide. In the final step the whole surface is uncovered and adjusted until I'm satisfied that the painting is complete.

My work is excited by “the happenings”—the appearing and disappearing of the subject, the drama of strong color and contrasts, experimenting with texture, and by breaking up the picture plane. I feel fulfilled with an art piece when it expresses the emotions I feel. Sometimes they create an image that can also be appreciated be the viewer. It is success when a piece of art says “that’s it”. This work is play; intense and exhausting play that and is exciting, and immensely fulfilling. I truly love what I'm doing, and hope my efforts are enjoyed by others as well.

I am having a continuing interest in people as subjects. My interest is in what they seam to be saying with facial expression and body language. I don't think of it as portraiture; but just people. So far I have a series of six women and one man that I call “Waiting”. They are the results of the life drawing seminar I often attend. I intend to keep looking for more and more ways to express the wonder and emotions that I feel, and to push toward more simple shapes and a greater degree of texture.

Currently I show and sell my work from both solo and group exhibits, in several galleries, and on the Internet. I'm thankful to have received a number of awards for my efforts.